You stupid boy!: Ian Lavender is the voice of the Curzon’s Victor Cox

Ian Lavender is the voice of Victor Cox in the Curzon Memories App, which is due to be launched on App Store and Android Market soon.  Ian was in Bristol for the Slapstick festival, which included a restrospective on Dad’s Army.

Victor Cox

Victor Cox (left) and his father James Newton Cox, were originally monumental stonemasons who projected moving pictures in the town hall.  They built the Picture House, the first cinema to be built on the site of the Curzon Community Cinema, Clevedon (UK), in 1912.  At one point in the Curzon Memories App we meet George Dimond who worked for Cox as a “button boy” whilst still a school boy in the 1930s – the name button boy comes from the uniform he wore with brass buttons up the front.  Dimond’s duties included showing people to their seats with a torch and crawling through a trap door to open the curtains on the projetionist’s signal at the start of the show.  He was also responsible for plugging the hard of hearing into the cinema’s audio system up on the balcony.  He used to work from 5-11pm every school night and Cox sometimes asked him to work for free for on a Saturday as well.  He describes Cox as “the meanest man in Clevedon, he was tighter than the wallpaper on the wall”.  So I imagine Cox, on overhearing George’s version of him, barking, “Dimond! You stupid boy, go and wire Mr Calderwell up for sound!”  - it was hard to resist an intertextual reference to Ian’s role as “stupid boy” Pike.  

Wedding of James Newton Cox to Blanche Harwood, with the young Victor Cox on the right

In contrast, Cox’s stepmother, Blanche Cox, nee Harwood, is described by George’s wife Kathleen as “the nicest woman you could ever hope to meet”.  According to Maurice Thornton’s book, The Everlasting Picture House, Blanche had been an operatic diva prior to her marriage to James Newton Cox (left), his third wife, and her stepson Victor stayed with her after his father’s death until she died.  They continued to run the cinema until the end of the Second World War, in 1945.

Kathleen Dimond, who worked for the Coxes in their grand home on Dial Hill Road (below), remembers Blanche singing during the interval occasionally.

The Coxes' house on Dial Hill Road, Clevedon

In the app Victor’s voice represents the hard-nosed businessman whose main concern is bums on seats, whilst Blanche represents the magic of cinema: “Look at them with their shopping bags, we should have built a supermarket the amount they spend in a week”, remarks Victor commenting on the Lidl and Morrisons stores that have sprung up behind the cinema; “No, no, no, darling, the magic of the moving pictures, Clevedon needed a cinema,” retorts Blanche, dismissively.  I asked Ian to play Cox as a mixture between the officious Captain Mainwarring and the down trodden Pike, living in the shadow of his over-protective stepmother Blanche, played by Anna Farthing, who’s interpretation was informed by the cut-glass accent of Marguerite Patten, the doyenne of British cookery.

Notwithstanding George Dimond’s characterisation, Victor Cox is also known to have been a great benefactor to Clevedon and paid for two charabancs to drive all the builders of the 1922 cinema to a picnic to Cheddar Gorge.

If you look closely you can see Blanche, James Newton and Victor Cox in the foreground

Right from the start, I wanted to explore the idea of having conflicting voices, contested histories in the app – which at no point claims to be a historical document – memory is fallible and subjective and it’s right that the different characters can comment on their own representation.

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Bordwell on Pandora’s digital box, the threat of digital conversion to the art house cinema

David Bordwell has been writing a series of blog posts about the threat of digital conversion to art house cinemas, what Screen Digest has coined the ‘digital shortfall’ – i.e. those screens that will be lost becuase they cannot afford to upconvert to DCI compliant projection equipment.

The Art Theatre, Campaign, Illinois. Photo Sanford Hess (the cinema manger)

One of the cinemas cited is the Art House Cinema, in Champaign-Urbana, a University town in the middle of corn fields in the mid-West (where I happened to live for a short spell, and where my father is still based), pictured above.  I think it might be where I first saw Terence Mallick’s Days of Heaven as a girl of nine, and have been haunted by it ever since. This, combined with my involvement with the Curzon, and indeed the Whiteladies Picture House campaign, made me feel how urgent it is to preserve screen heritage beyond the conservation of the films themselves – which is in itself incredibly important – but there’s something rather pressing about preserving the cinema-going experience in today’s multi-screen world: the apparatus of cinema, the built environment, the technologies; which is at the heart of the Curzon Memories App, and Projection Hero in particular.

The Curzon is such a brilliant site through/in which to explore these issues as, come this April, a cinema will have been operating there for 100 years, yet it was also one of the 210 cinemas to receive a digital projector in the UK Film Council’s Digital Screen Network (DSN), and houses a unique collection of cinema projectors and equipment in the Curzon Collection, curated by Maurice Thornton.  I hope that the Curzon Memories App will enable visitors to enjoy the cinema’s history, whilst reflecting on the important but invisible work that goes on behind the scenes to ensure their viewing pleasure.

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Demo of third iteration available here

Demo

Posted in Arduino, Cinema buildings, Curzon, Projection Hero, QR Codes, Tarim, Watershed Media Centre | Tagged , , , | Leave a comment

New vid about the Curzon Memories App

Video documentation about the Curzon Memories App – video by Sy Taffel, starring Jon Dovey, Constance Fleuriot, Jess Linnington of the Digital Cultures Research Centre, UWE:

Curzon Memories App Documentation from Charlotte Crofts on Vimeo.

Posted in App-aratus theory, Augmented Reality, Cinema buildings, Curzon, Exterior localization, GPS, Heritage, Interior localization, Interviews, Media Practice Research, Postdigital, QR Codes | Tagged , , , , , | 1 Comment

Catch Tarim if you can!

Brilliant interactive spotlight. Designed by Tine Bech. Powered be Tarim.

Leo is sure to sleep well tonight!
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The Regal, Tenbury, HFL restoration and audio memories project

The Regal, Tenbury won a Heritage Lottery Grant to restore the cinema in 2010, after having been in touch with Education Officer, Cathy Poole at the Curzon to find out their restoration programme.  The Regal opened as a cinema on Thursday July 29th 1937. Listen to memories of The Regal here.  The cinema’s outstanding murals are a key feature of the restoration project:

Murals at The Regal, Tenbury

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Kermode lamenting the lost art of cinema projection #hug a projectionist

See Mark Kermode’s latest post lamenting the lost art of cinema projection in the digital age, with a short video of his visit to the Cinema Technology awards for projection where they in turn awarded him for his “crusade to improve the standard of cinema presentation”. Our Projection Hero installation has apparently hit a nerve and seems to be exploring something incredibly poignant about the unsung heros of the projection booth, working behind the scenes to deliver the cinematic experience.

Exhibiting the mini-cinema at the MeCCSA conference last week, hearing the blast of Pearl and Dean as the lights dim and the curtains open, watching the videos of veteran projectionists Maurice Thornton and Pete Stamp through the tiny little projection booth windows, it all started to make sense.  It was great to see the installation screening the correct films at last.  Maurice says, “you are a performer and you’ve got to behave as if you’re on the stage… that’s the difference between showing a film and pressing a button”, whilst Pete cheerfully acknowledges that the Curzon’s DSN digital projector will eventually make his job obsolete … as you manipulate the cinema with your smartphone.

If you are interested in having a go, the installation is on display at the Pervasive Media Studio in the Watershed Media Centre, Bristol for the rest of January 2012 before being finalised and put on permanent exhibition at the Curzon Community Cinema in Clevedon some time in February. Pop by and try your hand at being a Projection Hero…. and you can also test the third iteration of the Curzon Memories App here.

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